What representations of disability are offered in "The Elephant Man" (1980)?

The Elephant Man is target in 1980, in the Victorian margin where circus shows containing circus freaks were common. The text begins with a montage of bedevilment and provocative compasss, coupled with pounding and eerie music creating an enkindle atmosphere connoting the horror and thriller genres. The soundtrack is mainly non-diagetic, with exceptions of Merricks diagetic breathing to show his nervousness, save creating a sinister material body of the film in the minds of the audience. Adding to this image is the shock and horror of the audience of the circus show, causing the elephant mans piece to be closed. The police presence creates a dark image, indicating danger. This could invent the audiences views of physically and mentally disabled people at the discernment of conviction the film was made, as most people at the age would have viewed them as dangerous and as outcasts. An conundrum principle is created throughout the first half of the film, as the au dience do not see the Elephant Man ( ass Merrick) directly. The film existence shot in wispy and white reflects the Victorian age the film is set in, and it reflects the black and white views of disabled people of the era. The audience ar positioned to empathize with stern Merrick, and to take note of how he is hard-boiled by those in his life.

Before Treeves takes Merrick on as his project, Merrick is constantly shown in the dark, and cover up, whereas Treeves is shown in light and is a in truth successful doctor. David kill has used Barthes theory of Binary opponent throughout the film, with the black and white film, the dark and light of John Merr! ick and Dr Treeves and the views of good and monstrous in the film. The typical freak stereotype of disabled people is shown clearly throughout the... If you want to get a full essay, enounce it on our website: OrderCustomPaper.com

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